- The Eternals (2019-2020)
- Two months as unit VFX supervisor for shoot in Pinewood.
- Director - Chloé Zhao
- Production VFX supervisors - Stephane Ceretti, Mårten Larsson, Chris Shaw
- Studio - Marvel
- Black Widow (2019)
- Three months as unit VFX supervisor for shoot in Svalbard, Norway and Pinewood.
- Director - Cate Shortland
- Production VFX supervisors - Geoffrey Baumann, Jesse James Chisholm, Chris Shaw
- Studio - Marvel
- Wonder Woman 1984 (2018-2019)
- One year as motion control VFX supervisor for shoot in Leavesden and Bovingdon.
- Director - Patty Jenkins
- Production VFX supervisors - John Moffatt, Chris Shaw
- Studio - Warner Bros
- Doctor Strange (2015-2016) -
Academy award nomination for visual effects
- One year as additional supervisor for shoot in Longcross, New York and Nepal, and post-production in Los Angeles.
- Director - Scott Derrickson
- Production VFX supervisors - Stephane Ceretti, Geoffrey Baumann, Chris Shaw
- Studio - Marvel
- Fast and Furious: Supercharged (2014-2015) -
VES award for special venue project
- One year as senior VFX supervisor.
- Director - Thierry Coup
- VFX supervisors - Chris Shaw, Ben White (MPC)
- Studio - Universal Creative
- The Hogwarts Express (2012-2014) -
VES award nomination for special venue project
- Two years as senior VFX supervisor.
- Director - Thierry Coup
- VFX supervisors - Chris Shaw, John Moffatt (Double Negative)
- Studio - Universal Creative
- Wrath of the Titans (2011)
- Six months spent supervising main unit at Shepperton Studios and on location in the UK and Tenerife.
- Director - Jonathan Liebesman
- Production VFX supervisors - Nick Davis, Chris Shaw
- Studio - Warner Bros
- Harry Potter and the Half-Blood Prince (2007) -
BAFTA nomination for special visual effects
- Twelve months spent in pre-production and shooting at Leavesden Studios and on location.
- Director - David Yates
- Production VFX supervisors - Tim Burke, Chris Shaw
- Studio - Warner Bros
- Harry Potter and the Order of the Phoenix (2005) -
BAFTA nomination for special visual effects
- Fourteen months spent in pre-production and shooting at Leavesden Studios and on location.
- Director - David Yates
- Production VFX supervisors - Tim Burke, Chris Shaw
- Studio - Warner Bros
- Charlie and the Chocolate Factory (2004)
- Five months spent supervising visual effects unit at Pinewood Studios.
- Director - Tim Burton
- Production VFX supervisors - Nick Davis, Chris Shaw
- Studio - Warner Bros
- Harry Potter and the Prisoner of Azkaban (2003) -
Academy award nomination for visual effects
- Thirteen months spent on previsualisation and motion control supervision at Leavesden and Shepperton Studios.
- Director - Alfonso Cuarón
- Production VFX supervisors - Roger Guyett, Tim Burke
- Studio - Warner Bros
- Harry Potter and the Chamber of Secrets (2002) -
BAFTA nomination for special visual effects
- Nine months spent on previsualisation and motion control at Leavesden and Shepperton Studios.
- Director - Chris Columbus
- Production VFX supervisors - Jim Mitchell, Nick Davis
- Studio - Warner Bros
- Harry Potter and the Philosopher's Stone (2001) -
BAFTA nomination for special visual effects
- Seven months spent supervising motion control at Leavesden Studios.
- Director - Chris Columbus
- Production VFX supervisors - Rob Legato, Nick Davis
- Studio - Warner Bros
- Lara Croft: Tomb Raider (2000)
- 8 weeks spent supervising first and second unit shoots at Pinewood Studios.
- Director - Simon West
- Production VFX supervisor - Steve Begg
- Studio - Paramount
- Band of Brothers (2000) -
Emmy nomination for special visual effects
- 15 weeks spent in Hatfield Studios previsualising motion control and CG shots.
- 5 weeks spent on model shoot driving motion control rig and model movers.
- Matchmoving and pipeline design for 3D aircraft and environments.
- Directors - Phil Alden Robinson, Richard Loncraine
- Production VFX supervisor - Angus Bickerton
- Gladiator (1999) -
Academy award for visual effects
- 10 weeks spent on location in Malta supervising 3D aspects of shoot, surveying and photographing the set and previsualising set extensions for the director.
- Match-moving, modelling, texturing and lighting for 3D set extensions, particle effects and 3D crowds.
- Director - Ridley Scott
- VFX supervisors - John Nelson, Tim Burke, Rob Harvey
- Babe - Pig in the City (1998)
- 4 weeks in Australia designing shot methodologies with VFX supervisor.
- Motion tracking for 3D mouths on live animals and eye replacements for animatronic models.
- Modelling and texturing for 3D matte paintings.
- Match-moving and previs for motion control shots.
- Director - George Miller
- VFX supervisor - Grahame Andrew
-
Enemy of the State (1997)
- Previs, modelling and texturing for timeslice shot.
- Previs and motion control for model satellite shots.
- Director - Tony Scott
- VFX supervisors - Jamie Price, Tim Burke
-
Various supervising, 3D and software work on
Black Panther,
The Legend of Tarzan,
Harry Potter and the Goblet of Fire,
Eragon,
Kingdom of Heaven,
Ella Enchanted,
Hannibal,
A Knight's Tale,
Cats and Dogs,
The Mummy,
Entrapment,
Pitch Black,
The Avengers,
Saving Private Ryan,
Sleepy Hollow,
My Life So Far,
Waking Ned and
Heart.
-
Commercials
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Michelin - Ducks
-
Skoda - Turnaround
-
Saab - Unique
-
Lincoln - Surprising Journey
and many more