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  • The Eternals (2019-2020)
    • Two months as unit VFX supervisor for shoot in Pinewood.
    • Director - Chloé Zhao
    • Production VFX supervisors - Stephane Ceretti, Mårten Larsson, Chris Shaw
    • Studio - Marvel
  • Black Widow (2019)
    • Three months as unit VFX supervisor for shoot in Svalbard, Norway and Pinewood.
    • Director - Cate Shortland
    • Production VFX supervisors - Geoffrey Baumann, Jesse James Chisholm, Chris Shaw
    • Studio - Marvel
  • Wonder Woman 1984 (2018-2019)
    • One year as motion control VFX supervisor for shoot in Leavesden and Bovingdon.
    • Director - Patty Jenkins
    • Production VFX supervisors - John Moffatt, Chris Shaw
    • Studio - Warner Bros
  • Doctor Strange (2015-2016) - Academy award nomination for visual effects
    • One year as additional supervisor for shoot in Longcross, New York and Nepal, and post-production in Los Angeles.
    • Director - Scott Derrickson
    • Production VFX supervisors - Stephane Ceretti, Geoffrey Baumann, Chris Shaw
    • Studio - Marvel
  • Fast and Furious: Supercharged (2014-2015) - VES award for special venue project
    • One year as senior VFX supervisor.
    • Director - Thierry Coup
    • VFX supervisors - Chris Shaw, Ben White (MPC)
    • Studio - Universal Creative
  • The Hogwarts Express (2012-2014) - VES award nomination for special venue project
    • Two years as senior VFX supervisor.
    • Director - Thierry Coup
    • VFX supervisors - Chris Shaw, John Moffatt (Double Negative)
    • Studio - Universal Creative
  • Wrath of the Titans (2011)
    • Six months spent supervising main unit at Shepperton Studios and on location in the UK and Tenerife.
    • Director - Jonathan Liebesman
    • Production VFX supervisors - Nick Davis, Chris Shaw
    • Studio - Warner Bros
  • Harry Potter and the Half-Blood Prince (2007) - BAFTA nomination for special visual effects
    • Twelve months spent in pre-production and shooting at Leavesden Studios and on location.
    • Director - David Yates
    • Production VFX supervisors - Tim Burke, Chris Shaw
    • Studio - Warner Bros
  • Harry Potter and the Order of the Phoenix (2005) - BAFTA nomination for special visual effects
    • Fourteen months spent in pre-production and shooting at Leavesden Studios and on location.
    • Director - David Yates
    • Production VFX supervisors - Tim Burke, Chris Shaw
    • Studio - Warner Bros
  • Charlie and the Chocolate Factory (2004)
    • Five months spent supervising visual effects unit at Pinewood Studios.
    • Director - Tim Burton
    • Production VFX supervisors - Nick Davis, Chris Shaw
    • Studio - Warner Bros
  • Harry Potter and the Prisoner of Azkaban (2003) - Academy award nomination for visual effects
    • Thirteen months spent on previsualisation and motion control supervision at Leavesden and Shepperton Studios.
    • Director - Alfonso Cuarón
    • Production VFX supervisors - Roger Guyett, Tim Burke
    • Studio - Warner Bros
  • Harry Potter and the Chamber of Secrets (2002) - BAFTA nomination for special visual effects
    • Nine months spent on previsualisation and motion control at Leavesden and Shepperton Studios.
    • Director - Chris Columbus
    • Production VFX supervisors - Jim Mitchell, Nick Davis
    • Studio - Warner Bros
  • Harry Potter and the Philosopher's Stone (2001) - BAFTA nomination for special visual effects
    • Seven months spent supervising motion control at Leavesden Studios.
    • Director - Chris Columbus
    • Production VFX supervisors - Rob Legato, Nick Davis
    • Studio - Warner Bros
  • Lara Croft: Tomb Raider (2000)
    • 8 weeks spent supervising first and second unit shoots at Pinewood Studios.
    • Director - Simon West
    • Production VFX supervisor - Steve Begg
    • Studio - Paramount
  • Band of Brothers (2000) - Emmy nomination for special visual effects
    • 15 weeks spent in Hatfield Studios previsualising motion control and CG shots.
    • 5 weeks spent on model shoot driving motion control rig and model movers.
    • Matchmoving and pipeline design for 3D aircraft and environments.
    • Directors - Phil Alden Robinson, Richard Loncraine
    • Production VFX supervisor - Angus Bickerton
  • Gladiator (1999) - Academy award for visual effects
    • 10 weeks spent on location in Malta supervising 3D aspects of shoot, surveying and photographing the set and previsualising set extensions for the director.
    • Match-moving, modelling, texturing and lighting for 3D set extensions, particle effects and 3D crowds.
    • Director - Ridley Scott
    • VFX supervisors - John Nelson, Tim Burke, Rob Harvey
  • Babe - Pig in the City (1998)
    • 4 weeks in Australia designing shot methodologies with VFX supervisor.
    • Motion tracking for 3D mouths on live animals and eye replacements for animatronic models.
    • Modelling and texturing for 3D matte paintings.
    • Match-moving and previs for motion control shots.
    • Director - George Miller
    • VFX supervisor - Grahame Andrew
  • Enemy of the State (1997)
    • Previs, modelling and texturing for timeslice shot.
    • Previs and motion control for model satellite shots.
    • Director - Tony Scott
    • VFX supervisors - Jamie Price, Tim Burke
  • Commercials
    • Michelin - Ducks
    • Skoda - Turnaround
    • Saab - Unique
    • Lincoln - Surprising Journey

    • and many more


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